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Dance On Film News 75 - Constellation Change Film festival   Message List  
Reply | Forward Message #579 of 719 |
March Issue - Constellation Change Special - Edited by Susanne Fosse






Curzon Soho
93-107 Shaftesbury Avenue
London W1D 5DY
Box Office – 0870 756 4620
Tickets: £9.00 / Conc £8.00
 
6:45pm - Wed 21st March 07
7:35 - Fri 23rd March 07
 
2006, US, 87mins , director: Phil Bertelsen.
BEYOND THE STEPS follows the Alvin Ailey American Dance Theater during a pivotal period in its history, one that has the company venturing abroad as well as establishing new roots at home. The documentary marks a moment of both growth and reflection, as the troupe travels to Russia after an absence of nearly 20 years, moves into a state-of-the-art custom facility, called by The New York Times "the largest in the country devoted exclusively to dance," and creates a new ballet entitled Love Stories, choreographed by longtime AAADT artistic director Judith Jamison in collaboration with hip-hop pioneer Rennie Harris and modern dance maverick Robert Battle. Under the steadfast leadership of Jamison, the making of a new dance and a new home serve as symbols of the remarkable foundation that Ailey built, and of the vibrancy that defines the company today.
Wed 21st screening followed by interview with director Phil Bertelsen by Donald Hutera.
 

Voyage (2006)
A journey into the universe of the British choreographer Russell Maliphant. An abstract dance through solos, duos and quintet. Movements are all about power, lightness and emotions..
Paul Leo talks to Voyage choreographer Russell Maliphant about his work.
. Russell Maliphant trained at the Royal Ballet School and graduated into Sadler’s Wells Royal Ballet before leaving to pursue a career in independent dance, working with companies such as DV8 Physical Theatre, and Michael Clark & Company.His work builds on this foundation in expanding dance grammar, creating mesmerising, joyful works. The Russell Maliphant Company (founded in 1996) has toured extensively and won numerous awards, including a TimeOut Live Award for ‘Outstanding Collaboration’ for Sheer (2002), the Peoples’ Choice Award from the Festival De La Nouvelle Danse in Montreal (2002), the South Bank Show Award for Dance (2003), the Olivier Award for best new dance production for Broken Fall (2003), and Best Choreography (Modern) at the UK’s 2005 National Dance Awards.
Paul Leo: Which performers or choreographers influenced
your work when growing up?
Russell Maliphant: Depends what you mean by 'growing up'... I wasn't making work till I was already fairly experienced as a performer.
When I went to the Royal Ballet School, Kenneth MacMilan was the resident choreographer.He had just made Mayerling, with David Wall & Lynn Seymour - I remember them as being superb, and I was really inspired by the pas de deux work.
I went to see many performances of Manon, Romeo & Juliet, Concerto, Gloria, Requiem and others. I also performed in a lot of creations by David Bintley,
but it wasn't till several years after that that I began to make work. Laurie Booth & Lloyd Newson were influencial to me.
Paul Leo You choreographed the pas de trois Broken Fall for Sylvie Guillem and George Piper Dancers. What was it like choreographing such a demanding piece like that?
Paul Leo: Which performers or choreographers influenced
your work when growing up?
Russell Maliphant: Depends what you mean by 'growing up'... I wasn't making work till I was already fairly experienced as a performer.
When I went to the Royal Ballet School, Kenneth MacMilan was the resident choreographer.He had just made Mayerling, with David Wall & Lynn Seymour - I remember them as being superb, and I was really inspired by the pas de deux work.
I went to see many performances of Manon, Romeo & Juliet, Concerto, Gloria, Requiem and others. I also performed in a lot of creations by David Bintley,
but it wasn't till several years after that that I began to make work. Laurie Booth & Lloyd Newson were influencial to me.
Paul Leo You choreographed the pas de trois Broken Fall for Sylvie Guillem and George Piper Dancers. What was it like choreographing such a demanding piece like that?
 
 
 
London : DOFN Interviews filmmakers screening at this years 7th Constellation Change Screen Dance Festiva 19-23rd March 2007.
Auto Erotica (CAN) - Kenneth Sherman - director
CEA (CAN) - Andrea Pass and Dominique Keller - producers.
Spin (US)- Jamin Winans - director
Zydeco (US)- Jon Jones - director
Voyage (FRA)- Catherine Maximoff - director
Phoenix Dance (US)- Karina Epperlein - director
Wings of Legacy US)- Neeta Mittal - director
No Man's Land (CAN) - Peter Chin - choreographer/performer
Dancing Shadow (BUL) - Anna Batcheva - Choreographer/director
Been Rich All My Life (US) Heather Lyn MacDonald - director
Mes Mer (NZ) Morag Brownlie – director
Aquarium (US) Nadia Roden - director


Click on photo for interview
 

Auto Erotica

Been Rich All My Life

CEA

Dancing Shadow
 

Phoenix Dance

Voyage

Mes Mer

No Man's Land
 

Spin

Wings of Legac

Aquarium

Zydeco

 
 
 
 
 
 
 
 
19-23rd March 2007
 
To receive 2007 brochure, then e- mail your full postal address details to: ccfestival@... with the subject: 2007 brochure.
Or follow the attached link below


MIRROR DANCE Co-produced and co-directed by Frances McElroy and Maria Rodriguez and edited by Ann Tegnell. Cuban identical twins Margarita and Ramona de Saa grew up to become acclaimed ballerinas with the National Ballet of Cuba. Once inseparable, their relationship disintegrated as one sister left for the United States while the other embraced the Cuban Revolution. This film is the story of these two women, forever linked by birth and dance, but struggling to overcome a deep rift between them and the two nations alike. Shot in the USA and Cuba over a period of four years, Mirror Dance reveals some of the complexities of the sisters' relationship… the worlds in which they live, the choices each has made and the conflicts each has endured...as they hope that they will one day reconcile.
 
 
 
 
MIRROR DANCE
6:30pm Friday 23rd March 2007
Curzon Soho
93-107 Shaftesbury Avenue
London W1D 5DY
Box Office – 0870 756 4620
Tickets: £8.00 / Conc £7.00
 
 
 

Dancing Shadow(2006, 5mins,Bulgaria, UK Premiere)
A jazz musician walks the streets of Sofia, while his shadow trails like a cape, always dancing to his beautiful music. dir:Anna Batcheva

Zydeco (2006, 10mins, USA, UK Premiere)
An-off-the –wall comedy about a young man desperate to join the Sookies, the coolest gang in school, but first he must beat the gang’s leader in a perilous jairajive. dir: Jon Jones

Voyage (2006, 26mins, FRA)
A journey into the universe of the British choreographer Russell Maliphant. An abstract dance through solos, duos and quintet. Movements are all about power, lightness and emotions. dir:Dir: Catherine Maximoff , Chor: Russell Maliphant.

Wings Of Legacy (2006, 14mins, USA, UK Premiere)
Eva,facing her last hours, silently seeks for someone to give flight to her legacy through the passion of dance. She meets Amy, a differently-abled dancer who is looking for a chance for individual expression beyond her wheelchair..Dir: Neeta Mittal , Chor: Zina Bethune and Auti Angel

Mes Mer..(2006, 13mins, NZ)
An-off-the –wall comedy about a young man desperate to join the Sookies, the coolest gang in school, but first he must beat the gang’s leader in a perilous jairajive. dir/Chor: Morag Brownlie.

Spin (2006, 10mins, USA, UK Premiere)
The story of a mysterious DJ sent to a busy city block to mend a series of chain reactions that occur in our everyday lives. Can the power of music overcome fate? Put the needle on the record and find out!.dir: Jamin Winan./Chor:Jay Rincon
7:00pm
Everyman Cinema
5 Hollybush Vale, Hampstead,
London, NW3 6TX


Film Seminar £8.00/Conc £7.00
Box Office
087 00 664777
 

CEA (2006, 5mins,Canada,UK Premiere)
CEA, a film without dialogue, uses a combination of original music and graceful dance to explore the richness of our rural history. Dir: Robert Prowse, Chor: Andrea Pass

No Man's Land (2005, 7mins, CAN, UK Premiere)
The journey of a man who finds himself torn between two cultures, two cultural voices. He struggles between the two until he discovers a neutral space, a space where both halves can co-exist, a No Man's Land.

You Cuba (2006, 13mins, UK)
Filmed in Havana 'You Cuba' is a celebration of dance in Cuba, inspired by colourful culture, vibrant people and outstanding landscape. Dir: Margaret Williams, Chor: Cathy Marston

Auto Erotica (2006, 4min, CAN,UK Premiere)
The film is a tongue-in-cheek commentary on the sexualized relationships we have with cars. The short, which features Farley Johansson, has the aesthetic of an eye-catching television commercial. Dir:Kenneth Sherman, Chor: Noam Gagnon.

An underwater ballet to the music of Saint-Sciens' AQUARIUM Busby-Berkeley-style! Sea horses playing the harp, urchins swaying, jellyfish on the piano, octopuses changing color, tiny fish turning into a kaleidoscope of color and pattern. Dir/Chor: Nadia Roden

Phoenix Dance (2006, 16mins, USA,UK Premiere)
Dancer Homer Avila - after losing a leg to cancer - returns to the stage in a pas de deux by Alonzo King. Their collaboration's magic reminds us that when heart and will are joined, the impossible can happen. Dir: Karina Epperlein,Chor: Alonzo King
THURSDAY 22nd MARCH 2007
8:05pm
Curzon Soho
93-107 Shaftesbury Avenue
London W1D 5DY
Box Office – 0870 756 4620
Tickets: £8.00 / Conc £7.00
 


CHOREOGRPAHY FILM AWARDS
Broadcaster Amanda K Scott will create 6 x 10 minute dance shorts in 2007. Filmmakers working on Super 16mm will create six engaging dance shorts. The projects will be film based rather than video, so the primary objective is to create cinema within the confines of the short film medium.
Each project will be budgeted up to EUR 55,000 Euros, should be engaging, and show innovative cinematic approach to cinema. Each production should have a French, British or Dutch choreographer. Arriflex SRIII Camera package will be available at discount for each production. ON-LINE APPLICATION and deadline is 30th March 2007.
 
'High School Musical 2
Director: Kenny Ortega
Choreographer: .Kenny Ortega
PRE PRODUCTION -East High is on summer hiatus, so the battleground shifts to the country club, founded by (who else?) Sharpay's granddad. Troy, Gabriella and the others show up as lifeguards, waiters and caddies. And the haves and the have-nots tee off in the club's annual midsummer night's musical. There'll be plenty of drama: this time around, Ryan may turn on his sis. But will Troy finally get to kiss Gabriella?
Budget $7 million , Disney release in summer 2007.
 
 
MONDAY 19th MARCH 2007
West Side Story (1961) is an energetic, widely-acclaimed, melodramatic musical - a modern-day, loose re-telling of Shakespeare's Romeo and Juliet tragedy of feuding families, although the setting is the Upper West Side of New York City in the late 1950s with conflict between rival street gangs rather than families. West Side Story is still one of the best film adaptations of a musical ever created, and the finest musical film of the 60s. It arrived at a time when the silver screen was realizing tremendous competition from TV and other genres of cinematic entertainment.
West Side Story
Digitally Remastered 35mm print
Doors 6.00pm /Film 6.20pm
83 Upper Street
Islington N1 0NP, London
Box Office Tel: 020 7226 3520
Price: £9.00 / £8.00 Conc
Screen cinemas Website
 

London - Tuesday 20th March 2007
4:30pm - 6:30pm
Film Seminar with Phil Bertelsen, and
Lou DiCrescenzo
 
New York based filmmaker, Phil Bertelsen will conduct a seminar that provides a brief step-by-step overview of the filmmaking process, with particular insight into the pleasures and demands of shooting dance for the camera. His most recent work, Beyond The Steps is a documentary featuring Alvin Ailey American Dance Theater and is screening at this year’s festival. Students will leave the seminar with creative and practical tips which are invaluable to aspiring filmmakers of all genres.
 
Philadelphia based film Historian and film Preservationist, Lou DiCrescenzo, a Bucks County native, has been collecting out-of-print film and film memorabilia for the past several decades. DiCrescenzo’s collection, which dates back to film’s infancy in the late nineteenth century and his personal collection includes over 400 films. Some of the highlights of his collection are: OLIVER, THE SOUND OF MUSIC, FUNNY GIRL, Natalie Woods’ own 35mm print of WEST SIDE STORY, the only know surviving 35mm print of Ed Wood’s BRIDE OF THE MONSTER. In today’s session, Lou will be imparting stories and anecdotes about the treasure of genre film and TV that today’s audiences may be overlooking.
Everyman Cinema
5 Hollybush Vale, Hampstead,
London, NW3 6TX
BOOK ON-LINE

Film Seminar £8.00/ Conc £7.00
Box Office
087 00 664777
 

 
 

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March Issue - Constellation Change Special - Edited by Susanne Fosse Curzon Soho 93-107 Shaftesbury Avenue London W1D 5DY Box Office – 0870 756 4620 Tickets:...
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