More tabs, feeling musical at the moment:
i don't have time to stand here with you fighting about the size of my
dick
Capo 1
[a]I don't have time to stand here with you
Fighting about the size of my dick
I've got a [d]meeting to get to
And a [e]gun to pick up [a]first

[a]And I don't have time to stand in the rain
Fighting about all the same things again
If I [d]don't leave now
Then I'll be [e]too late to ever come [a]back

And in [d]24 hours I've lived a [e]hundred lives
I've shot [d]one man dead and watched [e]another two die
And it's [d]touch and go if I should [e]run or hide
And it's [d]touch and go if I can [e]live through the [a]night

Well I've got the money and I've got the truck
But it's too close to call whether I've got the luck
But I'm [d]too far in to even [e]dream of getting back [a]out

[a]And I wish all the fighting
Had taken less time
I could have been in and out
We could have laughed through the night
But sometimes [d]days can be seconds
And [e]seconds can be your whole [a]life

And in [d]24 hours I've lived a [e]hundred lives
I've shot [d]one man dead and watched [e]another two die
And [d]it's my turn now and I'm [e]not surprised
I [d]never thought that I would [e]live through the [a]night

[a]It's not the bullet that causes the pain
It's the hole that it leaves when it comes out again
And the [d]blood in the sunshine
[e]Disappears just like the [a]rain

And I'm dying for breathing
I'm blind in one eye
But here's what I choose
To take me into the night

You [d]beautiful and drunk and singing [e]softly to [a]yourself
You [d]beautiful and drunk and singing [e]softly to [a]yourself

Welcome To Växjö

In the darkness,
Of this morning,
There are things,
You'll never know,
But you were [d]mine once,
For a [bm]night once,
And I still [e]love you,
More than you [a]know,
[g]Outside there is [d]snow,
[g]And what other people [d]think,
[g]But inside this [d]room there is only you and [a]me,
And the star upon your [d]teeth,
Shining [bm]brightly,
As I [e]hold you,
To my [a]heart,
Though I'm [d]leaving when the [bm]light comes,
I still [e]love you,
More than you'll [a]know,
[g]And maybe the [d]snow,
[g]Will keep the memory for [d]us,
[g]And no matter what comes [d]next there is only you and [a]me,
And the star upon your [d]teeth.[a,d,a,g,d,a]

And I [d]know how this [a]feels,
And I [d]know what this [a]means,
I'd trade the [g]horrors of the [d]night time,
For a [a]lifetime in your [d]arms,
I'd trade the [g]horrors of the [d]night time,
For a [a]lifetime in your [d]arms.

--- In ballboy_music@..., "Steve-0"
<sendmeuselesscrap@...> wrote:
>
> Packing lots of questions and news into one post here.
> i) New album - any news on how much longer till release? I'm going
> traveling round the world for a year from the end of October and I
> demand to be able to listen to the new ballboy album. Or I politely
> request it at least:)
> ii) Shows - ditto. Cmon one in England in or pre mid October? Pretty
> please? I would make the flight for the Edinburgh one but I have to
> work that day.
> iii) Not sure if anyone has ever heard of Coverville (if not you
> should check it out, excellent podcast made up entirely of covers and
> there are some brilliant covers. If the Beseech cover of Gimme Gimme
> Gimme or a capella covers of I predict a riot don't make you smile
> there's no hope for you) but I got ballboy's cover of Born in the USA
> played on there. http://www.coverville.com/archives/podcast/
> it's number 357, even if the host does think it sounds like Breakfast
> at Tiffany's (well the chord progression is the same in fairness),
> leading nicely on to:
> iv) I decided to do a couple more tabs which were missing. I'm fairly
> confident about Kiss Me, Hold... less so about Past Lovers where I
> can't decide whether I'm missing a chord after the second c in each
> verse, the strings always throw me. Also the c4 may just be a c but I
> think it gives a bit more oomph when played solo so meh:
>
> past lovers
> c4 x32013
>
> I [c]remember when it started,
> In the [f]thunderstorms and darkness,
> And we [c]stood together in a room,
> And [g]waited for the [c]night,
> And the silence gathered round us,
> Semi-[f]naked in the darkness,
> And you [c]put a finger to my lips,
> And [g]said to me just [c]this.
>
> Let's not [c4]talk about the others,
> Let's not [f]talk about past lovers,
> All the [c]history you bring to me,
> Has [g]melted like the [c]snow,
> Let's not [c4]talk about the others,
> Let's not [f]talk about past lovers,
> There are [c]things you have inside of you,
> It's [g]better not to [c]know.
>
> And now I'm sitting drunk at midnight,
> With the [f]memories of my life,
> And I'm [c]wondering what changes came,
> To [g]make me feel so [c]old,
> But before the sadness claims me,
> And be[f]fore the darkness takes me,
> My vague [c]memory allows me,
> One more [g]picture of your [c]lips,
> As you say.
>
> Don't [c4]talk about the others,
> Don't [f]talk about past lovers,
> It's the [c]silence that you bring to me,
> That's the [g]greatest thing of [c]all,
> So don't [c4]talk about the others,
> And don't [f]talk about past lovers,
> It's the [c]silence that you bring to me,
> That's the [g]greatest thing of [c]all,
> So don't [c4]talk about the others
> And don't [f]talk about past lovers,
> It's the [c]silence that you bring to me,
> That's the [g]greatest thing of [c]all,
> Let's not [c4]talk about the others,
> Let's not [g]talk about past lovers,
> It's the [c]silence that you bring to me,
> That's the [g]greatest thing of [c]all.
>
> Kiss Me, Hold Me and Eat Me
> Capo 1 [C] [G]
> C-G repeated for while at the start
> [C]Once upon a ti[G]me long ago[C][G],
> A boy and [C]girl fell in [G]love even [C]though,[g]
> They knew the [c]risk,
> They were [g]cannibals,
> They [f]could not [c]afford to get too [g]close,
> They knew the [c]risk,
> They were [g]afraid to kiss,
> In, [f]in case they [c]ate each other [g]whole.
>
> [c]Then one [g]day he said,
> I, [c]I can't take this [g]anymore,
> It's,[c] it's love or [g]death he said,
> I, [c]I can't take this [g]anymore,
>
> So [c]kiss me, [f]hold me and [g]eat me,
> [c]Kiss me and [f]hold me and [g]eat me,
> It's fatal I [f]know,
> But [c]what a way to [g]go,
> It's fatal I [f]know,
> But [c]what a way to [g]go.
>
> So [c]kiss me though it [f]means the end of my [g]life,
> And [c]hold me though it [f]means the end of my [g]life,
> And the [f]sun will [g]shine down on [c]this our only [g]kiss,
> And I should [f]run, for the [c]hills but I can't [g]resist,
> And the [f]sun will [g]shine down on [c]this our only [g]kiss,
> And I should [f]run, for the [c]hills but I can't [g]resist.
>
> [c]Well she took him [g]in her arms,
> And [c]said all this will [g]be OK,
> You're, [c]you're more than [g]food to me,
> And I [c]only eat my [g]enemies,
> And [f]you are the [c]best friend that I [g]have,
> [c]I love you [g]more than food,
> And though a [c]King would not taste [g]half as good as [f]you,
> It's [c]love I need you [g]for,
> [f]It's [c]love I need you [g]for.
>
> So [c]kiss me, [f]hold me and [g]eat me,
> [c]Kiss me and [f]hold me and [g]eat me,
> And the [f]sun will [g]shine down and [c]this could be the [g]start,
> I'll take your [f]hand and [c]you can take my [g]heart,
> And the [f]sun will [g]shine down and [c]this could be the [g]start,
> I'll take your [f]hand and [c]you can take my [g]heart,
> So [c]kiss me, [f]hold me and [g]eat me,
> [c]Kiss me, [f]hold me and [g]eat me,
> [c]Kiss me and [f]hold me and [g]eat me,
> [c]Kiss me and [f]hold me and [g]eat me,
> It's you that I [c]love.
>
>
> p.s. I think the bridges in both songs just follow the same
> verse/chorus patterns.
>
> Cheers,
> Steve-0
>